Left Handed
AUTOSCROLL
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Capo: no capo
Tuning: E A D G B E
I GOT STUNG
As recorded by Elvis Presley
(From the 1959 Album 50,000,000 ELVIS FANS CAN'T BE WRONG: ELVIS' GOLDEN RECORDS, VOL. 2)
Words and Music by Aaron Schroeder & David Hill
Transcribed by Slowhand
Gtr I (E A D G B E) - 'Hank Garland - Electric Guitar'
Intro 1
Q=180
N.C.
4/4
Gtr I
Wx4
|--------||
|--------||
|--------||
|--------||
|--------||
|--------||
Intro 2 & Interlude
N.C.
PM----------------------------------------------------------|
Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E
||----------------|---------------|---------------|---------------||
||o---------------|---------------|---------------|---------------||
||------------5---|-----------5---|-----------5---|-----------5---||
||-----5--8-8---8-|----5--8-8---8-|----5--8-8---8-|----5--8-8---8-||
||o-6-------------|-6-------------|-6-------------|-6-------------||
||----------------|---------------|---------------|---------------||
1st - 4th Verses
$
$$
N.C.
PM------------------------------------------------------------|
Q Q E E E E Q Q E E E E Q Q E E E E E E E E E E E E
|---------------|---------------|---------------|------------------|
|---------------|---------------|---------------|------------------|
|-----------5---|-----------5---|-----------5---|------------------|
|----5--8-8---8-|----5--8-8---8-|----5--8-8---8-|------------------|
|-6-------------|-6-------------|-6-------------|-6-6-4-4-3-3------|
|---------------|---------------|---------------|-------------6-6--|
PM----------------------------------------------------------|
Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E
|---------------|---------------|---------------|----------------|
|---------------|---------------|---------------|----------------|
|---------------|---------------|-----------5---|-----------5----|
|-----------3---|-----------3---|----5--8-8---8-|----5--8-8---8--|
|----3--6-6---6-|----3--6-6---6-|-6-------------|-6--------------|
|-4-------------|-4-------------|---------------|----------------|
1.
To Coda
To Coda
PM---------------------------|
q q q q q q Q Q Q Q E E E E Q Q E E E E
|-------------|-------------|----------------|----------------||
|-------------|-------------|----------------|---------------o||
|-------------|-------------|-----------5----|-----------5----||
|-------------|----------5--|----5--8-8---8--|----5--8-8---8--||
|-------------|-------------|-6--------------|-6-------------o||
|-6--------6--|-4-----------|----------------|----------------||
Bridge
2.
N.C.
PM-------------------------------------------------------------|
E E E E E E E E Q Q E E E E Q Q E E E E Q Q E E E E
|-----------------||---------------|---------------|----------------|
|-----------------||---------------|---------------|----------------|
|-----------------||---------------|-----------5---|----------------|
|-----------------||-----------3---|----5--8-8---8-|-----------5----|
|-6-6-4-4-3-3-----||----3--6-6---6-|-6-------------|----5--8-8---8--|
|-------------6-6-||-4-------------|---------------|-6--------------|
D.S. al Coda
PM---------------------------------------|
Q Q E E E E Q Q E E E E Q Q Q Q q Q H W
|---------------|---------------|-------------|------------|-------||
|---------------|---------------|-------------|------------|-------||
|---------------|---------------|-------------|------------|-------||
|---------------|-----------3---|-------------|------------|-------||
|----5--8-8-5-8-|----3--6-6---6-|----3--------|------------|-------||
|-6-------------|-4-------------|-4-----4--5--|-6----------|-------||
Interlude
&
N.C.
PM-----------------------------------------------------------|
Q Q E E E E Q Q E E E E Q Q E E E E Q Q E E E E
|---------------||---------------|---------------|----------------|
|---------------||---------------|---------------|----------------|
|-----------5---||-----------5---|-----------5---|-----------5----|
|----5--8-8---8-||----5--8-8---8-|----5--8-8---8-|----5--8-8---8--|
|-6-------------||-6-------------|-6-------------|-6--------------|
|---------------||---------------|---------------|----------------|
Bridge
N.C.
PM-------------------------------------------------------------|
E E E E E E E E Q Q E E E E Q Q E E E E Q Q E E E E
|-----------------||---------------|---------------|----------------|
|-----------------||---------------|---------------|----------------|
|-----------------||---------------|-----------5---|----------------|
|-----------------||-----------3---|----5--8-8---8-|-----------5----|
|-6-6-4-4-3-3-----||----3--6-6---6-|-6-------------|----5--8-8---8--|
|-------------6-6-||-4-------------|---------------|-6--------------|
D.S.S. al Dbl. Coda
PM---------------------------------------|
Q Q E E E E Q Q E E E E Q Q Q Q q Q H W
|---------------|---------------|-------------|------------|-------||
|---------------|---------------|-------------|------------|-------||
|---------------|---------------|-------------|------------|-------||
|---------------|-----------3---|-------------|------------|-------||
|----5--8-8-5-8-|----3--6-6---6-|----3--------|------------|-------||
|-6-------------|-4-------------|-4-----4--5--|-6----------|-------||
Outro
&&
N.C.
PM----------------------------------------------
Q Q E E E E Q Q E E E E Q Q E E E E
|---------------||---------------|---------------|
|---------------||---------------|---------------|
|-----------5---||-----------5---|-----------5---|
|----5--8-8---8-||----5--8-8---8-|----5--8-8---8-|
|-6-------------||-6-------------|-6-------------|
|---------------||---------------|---------------|
-----------------------------|
Q Q E E E E Q Q E E E E
|---------------|-----------------*|
|---------------|-----------------*|
|-----------5---|-----------5-----*|
|----5--8-8---8-|----5--8-8---8---*|
|-6-------------|-6---------------*|
|---------------|-----------------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
n/ - tremolo bar dip; n = amount to dip
n - tremolo bar down
n/ - tremolo bar up
/n - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths