Left Handed
AUTOSCROLL
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Capo: no capo
Tuning: E A D G B E
A CHANGE OF SEASONS
I. The Crimson Sunrise
As performed by Dream Theater
(From the 2006 Album NEW YORK CITY 4/3/93)
Words by Mike Portnoy
Music by Dream Theater
Gtr I (E A D G B E)
Fast Q=150
N.C.(Bm)
4/4 3/4
|-3-| |-3-|
S S S e E S S e E S S S e E E S S e E Q
|-----------------------------|---------------||
|-----------------------------|---------------||
|-----------------------------|---------------||
|-7-7-7-5---------------------|---------------||
|-----------9-9-7---5-5-5-4---|---------------||
|-----------------------------|---7-7-5-------||
4/4 3/4
PM---| PM| PM| PM------| PM|
E S S E S S E S S E E S S E E S S E E
|-----------------------|-----------------|
|-----------------------|-----------------|
|-----------------------|-------2---------|
|-------------4-----5---|-2-2---------5-4-|
|-2-2-2-5-2-2---2-2---2-|-----2---2-2-----|
|-----------------------|-----------------|
4/4 3/4 D5 E5
PM---| PM| PM| PM------| PM
E S S E S S E S S E E S S E E E Q
|-----------------------|---------------|
|-----------------------|---------------|
|-----------------------|-------7---9---|
|-------------4-----5---|-5-5---7---9---|
|-2-2-2-5-2-2---2-2---5-|-----5-5-0-7---|
|-----------------------|---------------|
4/4 3/4
PM---| PM| PM| PM------| PM|
E S S E S S E S S E E S S E E S S E E
|-----------------------|-----------------|
|-----------------------|-----------------|
|-----------------------|-------2---------|
|-------------4-----5---|-2-2---------5-4-|
|-2-2-2-5-2-2---2-2---2-|-----2---2-2-----|
|-----------------------|-----------------|
4/4
PM---| PM| PM| |-3-|
E S S E S S E S S E E E. S S S S S S S S S S S S S S S S S S E E E E Q
|-----------------------|------------------5-7-5-4-------|-------------------||
|-----------------------|----------------7---------7-6---|-5---4-------------||
|-----------------------|------7---6-5-4---------------7-|---6---5-----------||
|-------------4-----5---|----4---4-----------------------|---------7---6-----||
|-2-2-2-5-2-2---2-2-----|--------------------------------|-------------------||
|-----------------------|--------------------------------|-------------------||
4/4 3/4
PM---| PM| PM| PM------| PM|
E S S E S S E S S E E S S E E S S E E
|-----------------------|-----------------|
|-----------------------|-----------------|
|-----------------------|-------2---------|
|-------------4-----5---|-2-2---------5-4-|
|-2-2-2-5-2-2---2-2---2-|-----2---2-2-----|
|-----------------------|-----------------|
4/4 3/4 G5 E5
PM---| PM| PM| PM------| PM
E S S E S S E S S E E S S E E E Q
|-----------------------|---------------|
|-----------------------|---------------|
|-----------------------|-------7---9---|
|-------------4-----5---|-5-5---5---9---|
|-2-2-2-5-2-2---2-2---5-|-----5-5-0-7---|
|-----------------------|---------------|
4/4 3/4
PM---| PM| PM| PM------| PM|
E S S E S S E S S E E S S E E S S E E
|-----------------------|-----------------|
|-----------------------|-----------------|
|-----------------------|-------2---------|
|-------------4-----5---|-2-2---------5-4-|
|-2-2-2-5-2-2---2-2---2-|-----2---2-2-----|
|-----------------------|-----------------|
4/4 3/4 D5 E5
PM---| PM| PM| PM------| PM
E S S E S S E S S E E S S E E E Q
|-----------------------|---------------||
|-----------------------|---------------||
|-----------------------|-------7---9---||
|-------------4-----5---|-5-5---7---9---||
|-2-2-2-5-2-2---2-2---5-|-----5-5-0-7---||
|-----------------------|---------------||
N.C.(C#m)
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
||--------------------|-------------------|
||--------------------|-------------------|
||o-------------------|-------------------|
||------4---6-4-4---7-|---6---------------|
||o-4-4---4-------4---|-4---7-------4-7-5-|
||--------------------|-------4-5-7-------|
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-----4---6-4-4-----|---6---------------|
|-4-4---4-------4---|-4-----------4-7-5-|
|-----------------5-|-----0-4-5-7-------|
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|-------------------||
|-------------------|-------------------||
|-------------------|-------------------||
|-----4---6-4-4---7-|---6---------------||
|-4-4---4-------4---|-4---7-------4-7-5-||
|-------------------|-------4-5-7-------||
N.C.(Em)
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|--------------------|
|-------------------|--------------------|
|-----2---4-2-2---5-|---4----------------|
|-2-2---2-------2---|-2---5-------2-5-3--|
|-------------------|-------2-3-5--------|
|-------------------|--------------------|
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|--------------------|
|-------------------|--------------------|
|-----2---4-2-2-----|---4----------------|
|-2-2---2-------2---|-2-----------2-5-3--|
|-----------------3-|-------2-3-5--------|
|-------------------|-----3--------------|
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|---------------------||
|-------------------|---------------------||
|-----2---4-2-2---5-|---4----------------o||
|-2-2---2-------2---|-2---5-------2-5-3---||
|-------------------|-------2-3-5--------o||
|-------------------|---------------------||
N.C.(C#m)
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-----4---6-4-4---7-|---6---------------|
|-4-4---4-------4---|-4---7-------4-7-5-|
|-------------------|-------4-5-7-------|
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-----4---6-4-4-----|---6---------------|
|-4-4---4-------4---|-4-----------4-7-5-|
|-----------------5-|-----0-4-5-7-------|
4/4 9/8
PM| PM PM PM
E E E E E S S E E E E E E E E E E E
|-------------------|-------------------||
|-------------------|-------------------||
|-------------------|-------------------||
|-----4---6-4-4---7-|---6---------------||
|-4-4---4-------4---|-4---7-------4-7-6-||
|-------------------|-------4-5-7-------||
N.C.4/4 5/8
Q E E Q E E Q E E Q E E Q. Q
|---------------|------------8-11-|-10-----|
|---------------|----7-10-9-------|--------|
|-----------5-8-|-7---------------|--------|
|----4-7-6------|-----------------|--------|
|-5-------------|-----------------|--------|
|---------------|-----------------|--------|
Slower Q=112
17/16 4F#5/4
S S S S S S S S S S S S S S S S S q E S S q E S S
|-11-9-8------------------------------|-------------------*|
|--------10-9-7-----------------------|-------------------*|
|---------------8-6-5-----------------|-------------------*|
|---------------------7-6-4-----------|-------------------*|
|---------------------------6-4-3-----|-4----4-4-4----4-4-*|
|---------------------------------5-4-|-2----2-2-2----2-2-*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
n/ - tremolo bar dip; n = amount to dip
n - tremolo bar down
n/ - tremolo bar up
/n - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths